Painted this from a reference photo taken along one of the main roads in Lancaster County. Passed an Amish buggy every few hundred yards. This painting is part of a series of Amish buggy scenes.
Was at a local produce market. Had a bin of Fairy Tale Pumpkins (yep, that’s the name). Liked the washed out, almost salmon color and deep segmentation of these pumpkins. My pallet is usually pretty bright – liked the neutral, dulled pallet required for this painting. My daughter, Em, named this one.
Love New York City. Was driving through Chinatown when I captured a few reference shots used to paint this picture. I’m usually attracted to light. In this case, what struck me was the shadow. Liked the cool, subtle detail on the neon signs and the grid-like angularity of the scene. Liked how the woman in the foreground hides the little girl from the bright sunlight. Particularly enjoyed painting the helix-like pattern of the fire escape shadows in the extreme background – must have had work on my mind, because it reminded me of a DNA strand. My wife told me this work was “different for me.” Once it was finished, placed it on our fireplace mantel next to “Eiffel Tower Carousel.” Told Stacey it wasn’t much different after all – can see a similar theme and composition (strong off center foreground figure facing the viewer; washed out background detail) in both pieces.
Got the inspiration for this painting on our family’s annual apple-picking trip. Saw this pile of pumpkins, and was struck by colors in the shadows. One of the farmers managing the stand gave me a weird look while I snapped the reference photo for this painting. Didn’t matter – was captivated by the composition and colors. Even though the pumpkins are white and orange, I used every color on my palette to create this work.
Love The New Alhambra boxing arena in Philadelphia. Go to the fights regularly. This is a view from the balcony over the entrance. Some of the best bouts are ones on the undercard – young guys with nothing to loose laying it on the line – that’s why this fight’s only 6 rounds. Took a reference shot before the final round – just the right time to catch the atmosphere of the place. Purposefully kept my brushstrokes loose and detail light – just wanted to capture the essence.
Was at a local produce market. Had a bin of Fairy Tale Pumpkins (yep, that’s the name). Liked the washed out, almost salmon color and deep segmentation of these pumpkins. My pallet is usually pretty bright – liked the neutral, dulled pallet required for this painting. My daughter, Em, named this one.
Over the Holidays, we spent a few days at the Jersey Shore. I love going to the shore in the Winter – no one’s on the beach, it’s peaceful, and all the natural noises seem enhanced because they’re not drowned out by the sounds of people milling about. One rainy afternoon, we decided to drive down the coast and do some shopping in Avalon and Stone Harbor. As the afternoon wore on, it started to rain. Nothing else to do, so we decided to drive to Cape May to see the Christmas lights on the houses. Great idea. Right before it got dark, the sky was bathed in a beautiful indigo blue. Since the streets were wet, the lights created warm reflections off the sidewalks and streets. Got weird looks from a number of people (4 of which were my family) as I stood in the rain, in the middle of the street, snapping pictures. Got soaked, but it was worth it. I probably took 50 reference shots in all, a number of which will make great paintings. This is the second painting of the bunch – this pavilion is in the center of town, right off the main drag.
Got the inspiration for this painting on our family’s annual apple-picking trip. Saw this pile of pumpkins, and was struck by colors in the shadows. One of the farmers managing the stand gave me a weird look while I snapped the reference photo for this painting. Didn’t matter – was captivated by the composition and colors. Even though the pumpkins are white and orange, I used every color on my palette to create this work.
Love New York City. Was driving through Chinatown when I captured a few reference shots used to paint this picture. I’m usually attracted to light. In this case, what struck me was the shadow. Liked the cool, subtle detail on the neon signs and the grid-like angularity of the scene. Liked how the woman in the foreground hides the little girl from the bright sunlight. Particularly enjoyed painting the helix-like pattern of the fire escape shadows in the extreme background – must have had work on my mind, because it reminded me of a DNA strand. My wife told me this work was “different for me.” Once it was finished, placed it on our fireplace mantel next to “Eiffel Tower Carousel.” Told Stacey it wasn’t much different after all – can see a similar theme and composition (strong off center foreground figure facing the viewer; washed out background detail) in both pieces.
Got the inspiration for this painting on our family’s annual apple-picking trip. Saw this pile of pumpkins, and was struck by colors in the shadows. One of the farmers managing the stand gave me a weird look while I snapped the reference photo for this painting. Didn’t matter – was captivated by the composition and colors. Even though the pumpkins are white and orange, I used every color on my palette to create this work.
