This painting is similar to Wonderland Swing – same swing. Did this one quickly. Happened to take some reference shots with all of my children in them. Liked the washed out Ferris wheel in the background. Put more work into the chains and lines of the swing – liked the contrast against the structure of the wheel. In Wonderland Swing, the swing chains are almost nonexistent.

A number of years ago, Stacey and I visited Cape Cod. Took a ferry one early morning to Martha’s Vineyard. The harbor was misty and gray – real cool vibe – loved the pastel colors, so took some shots. While we were sitting there, this dapperly-dressed older gentleman walked on by. Caught a shot. Love the heat of the one exposed light bulb against the cool colors of the harbor mist.

Over the Holidays, we spent a few days at the Jersey Shore. I love going to the shore in the Winter – no one’s on the beach, it’s peaceful, and all the natural noises seem enhanced because they’re not drowned out by the sounds of people milling about. One rainy afternoon, we decided to drive down the coast and do some shopping in Avalon and Stone Harbor. As the afternoon wore on, it started to rain. Nothing else to do, so we decided to drive to Cape May to see the Christmas lights on the houses. Great idea. Right before it got dark, the sky was bathed in a beautiful indigo blue. Since the streets were wet, the lights created warm reflections off the sidewalks and streets. Got weird looks from a number of people (4 of which were my family) as I stood in the rain, in the middle of the street, snapping pictures. Got soaked, but it was worth it. I probably took 50 reference shots in all, a number of which will make great paintings. This is the second painting of the bunch – this pavilion is in the center of town, right off the main drag.

One of 3 paintings created for Airgas’ 2006 Holiday Cards (See also “One More Run” and “The Extra Mile.”) Was going for a Thomas Kinkade/Terry Redlin vibe in these paintings.

Love the story behind this painting. Was at the fights in Phili with my father and some friends. I’m a diehard – I’m there for the first fight and stay through to the last round of the last fight. Many people leave after the main event. Well, one night, after the main event, there was a 4-round fight featuring this guy from Phili, Joey. Must have been only 100 people left in the place, 90 of which seemed to be friends and family of this guy. They were going nuts chanting his name, “Joey, Joey.” Was a great fight. Went toe-to-toe with this other guy from the Carolinas. Both guys leaving it all out in the ring. Joey scored a knock out with seconds left in the fight. The place went wild. Seemed to us like this was the fight of his life. Called Joey to the ring ropes and snapped some shots of him – he was so excited by the win. Wasn’t snapping the shots as a painting reference, but when I reviewed them, was drawn to the light behind Joey’s head. And, his eyes were closed. Gave the composition a spiritual, religious icon feel. Can sense his weariness the way his hand hangs over the rope.

Took the reference shot for this painting the same night I took shots for Beachcombers, Sea Isle Promenade, and Sea Isle Sunset. Just before sunset, everything was bathed in a beautiful shade of indigo. Didn’t put too much effort into this one – just wanted to capture the gist of the scene.

This is the same swing in Ocean City, New Jersey as can be seen in Giant Swing. Took the reference photo for this painting at the top of the entrance way to the amusement pier. Washed out the detail in the riders – wanted the focus to be on the swing lights. Having the riders as blurs gives this painting a sense of motion.

Love playing Hot Wheels with my son. Love painting them as well. This painting is a take off on “Jam” – an award-winning painting I completed in 2007. When painting Jam – was thinking about the way my son lines the cars up in neat rows – I liked the blocks of color. As I was working on Jam, the grid of cars reminded me of traffic jams (had a lot of time to think about traffic jams when I was commuting into Philadelphia). “Crash” is a natural extension of that same idea. Sometimes, my son just likes to dump the cars in a big pile. Was going for a more abstract composition, but couldn’t resist drawing the viewers eye to the monster truck. Hid a bunch of stuff, like names of my children and friends, in this painting. Also selected cars that had a bit of novelty to them. See if you can find the shark car, the WWII bomber car, or the gorilla car. And, over half the cars have flames on them – seemed appropriate given the painting is of a car crash.

Love vacationing in Sea Isle City, New Jersey. On the bay, there are a number of great seafood restaurants. Two of my favorites are Mike’s and Marie’s. Mike’s is a great hang out. We love to order big take-out pans of steamed clams in a butter/lemon/wine sauce. Or, we’ll bring some beers, order some broiled seafood, and hang out on their deck. Marie’s is much the same – love their fried scallops – best I’ve had anywhere – when we order a to-go bucket, it’s usually half gone by the time we get back to our place. My daughter and I took the reference photo for this painting from a side street pier across from the backs of the restaurants. Particularly like that we were able to capture the famous Sea Isle water tower (“Smile – You’re In Sea Isle City”) in the background.

Created this pencil drawing of my wife, Stacey, for her birthday. Took the reference photo for this drawing in our family room about a year before I created this piece. Have used our family room a bunch for reference photos for paintings – photos for “Apples” and “Sarah and Emily Still Life” were taken there. Most of the windows in this room face West, so, at the end of the day, I get this wonderful orange-tinted light. Creates some great highlights and deep shadows. Stacey was sitting in the room one late afternoon, and I was struck by the lighting on her. Grabbed my camera and got a few shots. Liked the highlights on her face and her natural pose/look. If you’ve ever met Stacey, you’ll know this pose – the way she’s crossing her legs, the way she’s holding her arms – is totally her. Also like the highlight created by the window on the floor. Never envisioned this photo as a painting – always envisioned it in black and white – wanted to create a painterly-looking drawing that had the feel of an old photograph.